Jesse Taylor finds joy in songwriting and performing

Jesse Taylor didn’t learn how to play the guitar until he was a senior in high school. If you’re familiar with the sophomore Fairview, Tenn., native, you might find this a bit surprising. Taylor, a regular performer at Rooster’s Barbeque (located in Downtown Nashville), can’t exactly claim to have bitten by the country music bug at the same time his guitar skills came to fruition, but it’s easy to see where this aspiring country singer-songwriter gets his inspiration. A car ride to the hospital to see his newly born sister marked the first time any of his family got the idea that the two-year-old Taylor had country in his veins. “My aunt told me that when she took me to the hospital to see my sister, she put me in the car and I started crying about five minutes down the road, and she couldn’t figure out why,” Taylor said. “And I kept saying ‘Hoochee, Hoochee, Hoochee’.” The cause of young Taylor’s cries? A desire to listen to Alan Jackson’s 1993 hit “Chattahoochee.” “She put that Alan Jackson tape in there,” Taylor said. “And we listened to ‘Chattahoochee’ all the way [to the hospital], and all the way back home.” Taylor cites Jackson as one of his early inspirations as a singer/songwriter, along with George Jones, Johnny Cash and Sonny James. Taylor became personally familiar with James, a former country chart-topper, around his sixth grade year of school, as the two went to church together. From that point on, a big hug after the service wasn’t foreign for James, Taylor and Taylor’s little brother. “[James] is a fantastic singer,...

Commentary: Filling the seats of the stars

O.K., so I’m sitting there and here comes Keith Urban. And Eric Church … and, well, it’d be easy to lose count after spending the evening of Nov. 9 as a seat-filler at the 45th annual CMA Awards here in Nashville. Freshman Megan Anderson and I were two lucky Lipscomb students, among students from other schools, chosen to be seat-fillers because of our involvement in CMA EDU, a country music program that meets monthly on campus. Several hundred seat-fillers met outside Bridgestone Arena where their IDs were checked, and they were given wristbands and directions for the night. Of course, the purpose of seat-fillers is simple: to fill the seats.  Those seats are empty when the stars go onstage to perform or to present awards, so our job was to keep the arena looking filled up for network cameras. A group of aisle-fillers wore pink wristbands, and the seat-fillers wore blue wristbands. Each group was assigned a general area to sit or stand throughout the show unless they were separately asked to go somewhere else. Megan and I sat in the back-upper section of the arena with a clear view of the main stage. About eight rows in front of us was a small stage, where several artists such as  Church, Urban, Chris Young and Scotty McCreery performed throughout the night. As seat-fillers, we weren’t allowed to bring phones or cameras to the show to be as professional as possible. Going from watching the CMAs on TV to seeing it live on stage is amazing. Megan and I couldn’t believe our eyes. The biggest country award show I watch every year on TV,...