Pat Boone to sing updated Lipscomb Alma Mater at undergraduate commencement

Pat Boone to sing updated Lipscomb Alma Mater at undergraduate commencement

Gathered around a table in Pat Boone’s house recently, Lipscomb University President Randy Lowry and the Lipscomb-educated ’50s pop icon drafted a new version of the university’s alma mater. “My wife and I went out to Los Angeles to Beverly Hills about six to eight weeks ago, and we actually sat around a table in Pat Boone’s house and looked at the old music and then started playing with new words for the new music,” Lowry said. Lipscomb eliminated “David” from its title 10 or 15 years ago, and that was one of the major changes made to the song. In the lyrics “David Lipscomb” has been replaced with “Lipscomb University.” In addition to that change, Lowry said there were two places in the lyrics that were not inclusive for this time period. “[‘Brotherhood’] was a word that a church community would use and they would talk about all the churches ‘in the brotherhood,’ but it’s not particularly inclusive of women,” he said. With the help of Boone an updated alma mater was crafted using alternatives words. “An alma mater really tries to articulate some sense of relationship with this institution, and I think that one [the updated version] has a lot of really good stuff in it. “My sense is we always want to be alert to those moments where we can be a little more relevant, a little bit more sensitive, a little bit more inclusive, and after singing the alma mater for 10 years it just dawned on me: this is one of them,” he said. Keeping the original tune, Boone and Lowry gave the new lyrics an...

Joshua Dildine’s artistic variety spices up Lipscomb’s art gallery

Most people keep original pictures for nostalgic reasons, but Joshua Dildine works with photographs and paints over them on a large scale. At Lipscomb’s John C. Hutcheson Gallery in the James D. Hughes Center, eight pieces of Dildine’s work are part of the visiting artists program. Dildine is an artist based out of Los Angeles. Dildine grew up in the California area, and the original influence of art in his life was his grandmother, a water color painter. “She would babysit me, and she would point into the sky and say ‘what colors do you see in the sky?’, and I would say ‘blue’, and she would say, ‘wrong’ and I would think she’s crazy,” Dildine said. The art background his grandmother inspired propelled Dildine to pursue his passion in art. “Having that constant influence throughout my whole life has been amazing, but now that I’m much older and in the contemporary art realms my influence has changed. I look at art and I’m inspired by everything,” Dildine said. The core of his artwork looks into how society views images. “I wanted to make it more personal, but also in some ways I wanted to investigate the power of image and photographs,” Dildine said. Dildine has three base steps to his work: construction, deconstruction and re-construction. “The construction part is the context that we give images. The meaning behind them. Deconstructive aspect is the act of painting over it and removing that context,”  Dildine said. Dildine believes that removing the face of mother on a photograph, the power of it is lost. The third step, reconstruction, “is fusing painting with...