Connecting with the dead may have some appeal, but as far as movies are concerned, it is important to connect to the audience. And in this department, Hereafter is dead on arrival. Why? Because there is no climax or storyline, and no character development.
Each of the characters is troubled, but instead of developing the characters or offering a moral lesson, after 129 minutes the movie simply, well, ends. There is nothing. The characters stay confused and simply leave once they get a psychic reading from Matt Damon’s character, George Lonegan.
The three characters – Marcus, Marie, Malorie – are troubled by events from their pasts. Marcus’ older brother dies, Marie has a near-death experience, Malorie, who has unresolved conflict with her father in her past, drops out of the story half-way through the film and never surfaces again.
Damon’s character is a middle-aged psychic who no longer wants his job, but seems to have no development and no resolution. In the beginning of the film, he is frustrated with his brother for exploiting his psychic ability, and confused about what to do. At the end, he leaves for England, still frustrated and confused.
The movie as a whole lacked resolution. It felt more like a snapshot than a story. None of the characters get resolution, just readings. For George Lonegan, there is no indication that his struggle is ever resolved or even justified. Perhaps there was some subtle closure in George getting the “normal relationship” he wanted at the end of the film, but for the average audience member, this is hardly satisfying.
Directed by Clint Eastwood, this film is rated PG-13.