350 thousand enjoy music, spectacle as Let Freedom Sing! welcomes celebrants and SWAT team back to downtown

350 thousand enjoy music, spectacle as Let Freedom Sing! welcomes celebrants and SWAT team back to downtown

Nashville’s COVID-19 silence ended in a roaring spectacle on Sunday when Let Freedom Sing! brought fireworks and live music back to Music City. Officials said about 350 thousand spectators attended the event, which began at 4 p.m. and ran until well past 10 p.m. The fireworks were scheduled to start at 9:20 p.m. but were delayed until 10 due to unauthorized people in the explosive danger zone. Police SWAT officers were called to the Bridge Building following reports from the Metro Fire Department of a person on the roof of the building, according to a press release issued from the Metro Police Monday afternoon. A flyover from a police helicopter confirmed the sighting. Officers removed four people from the scene, including one employee of the Bridge Building. Located on the east side of the pedestrian bridge, the Bridge Building was in the firework evacuation zone due to the proximity to the firework launch site and the potential for injury for anyone too close to the explosives. “While the officers were still in the building and the (police) helicopter remained close by, a security guard apparently relayed to an (Nashville Fire Department) employee that he was the last one in the building.  Without going through command and without checking with MNPD to ensure officers were out of the building, the message was relayed to start the fireworks show.  Command was not advised the show had commenced,” according to the press release. “Due to the close proximity of the professional firework mortar shells and the fallout from detonated fireworks, the eight SWAT members sheltered inside the Bridge Building until the conclusion...
REVIEW: The Mitchells vs. The Machines brings humor, good visuals and family bonding

REVIEW: The Mitchells vs. The Machines brings humor, good visuals and family bonding

In recent years of cinema, the heroes of Earth are often depicted as a group of highly athletic, agile, brilliant and dangerously attractive superpeople. Whether it’s the Avengers or the Justice League, audiences have seen countless times a group of ragtag individuals who unite to save humanity from the fate of evil. However, in Michael Rianda’s directorial debut The Mitchells vs. The Machines, audiences are introduced to a new kind of hero: Your everyday dysfunctional family from Michigan who save the world from a global robot revolution during their family road trip. Initially intended for a 2020 theatrical release under the title “Connected”, the film instead went to streaming on Netflix alongside being played in select theaters due to the ongoing COVID-19 Pandemic.  The film was produced by Sony Pictures Animation and features the voice talents of Danny Mcbride, Abbi Jacobson, Maya Rudolph, Eric Andre, Doug the Pug (yes, THE Doug the Pug), and more. The main protagonist, Katie Mitchell (voiced by Jacobson), is a young aspiring filmmaker who just got accepted into the film school of her dreams in California and is eager to leave her home. However, in a last-ditch effort to salvage the relationship with his daughter before she leaves, nature-loving and technologically inept handyman, Rick Mitchell (voiced by Mcbride) puts together one last family road trip with Katie, as well as his sweet and supportive wife Linda (voiced by Rudolph), dinosaur-loving son Aaron (voiced by Rianda himself), and the lovable blob of dog that is Monchi (voiced by Doug the Pug). Everything is going great until the apocalypse is brought upon by a rogue smartphone,...